Table of Contents
Editorial
| Editorial | |
| Ian Brown, Ksenija Horvat |
Peer Reviewed Articles
| Linguistic motivation, dramatic language and Glasgow-inflected Scots in Edwin Morgan's version of Cyrano de Bergerac (1992) | |
| Bill Findlay |
| Ewan MacColl, “the brilliant young Scots dramatist”: Regional myth-making and Theatre Workshop | |
| Claire Warden |
| “Listen I will tell the story to you / As I have been told it” : Memory and identity in the plays of Nicola McCartney | |
| Kathy McKean |
| Anywhere but Scotland?” Transnationalism and New Scottish Cinema | |
| Simon Brown |
Forum Articles
| Cultural centrality and dominance: the creative writer's view - conversations between Scottish poet/playrights and Ian Brown | |
| Ian Brown |
Book Reviews
| David Martin-Jones, Scotland: Global Cinema, Genres Modes and Identities | |
| Richard Butt |
ISSN 2046-5602