Browse Title Index


 
Issue Title
 
Vol 5, No 1 (2012): Artists and Institutions A Stage of One's Own: The Artistic Devolution of Contemporary Scottish Theatre Abstract   PDF
András Beck
 
Vol 7, No 2 (2014): Diverse Strands Acknowledged Legislators: ‘Lived experience’ in Scottish Poetry Films Abstract   PDF
Richie McCaffery, Stefanie Van de Peer
 
Vol 4, No 1 (2011): Identity and Self-Identification Anywhere but Scotland?” Transnationalism and New Scottish Cinema Abstract   PDF
Simon Brown
 
Vol 5, No 1 (2012): Artists and Institutions Artists and Institutions Abstract   PDF
Ian Brown, Ksenija Horvat
 
Vol 6, No 2 (2013): Between the Local and the International: Fifty Years of New Playwriting in Scotland Between the Local and the International: Fifty Years of New Playwriting in Scotland Abstract   PDF
KSM McKean
 
Vol 5, No 2 (2012): Alternative Identities Combining the Epic with the Everyday: David Greig’s Dunsinane Abstract   PDF
Verónica Rodríguez, Dilek Inan
 
Vol 5, No 1 (2012): Artists and Institutions Completion and distribution of Scottish Screen-funded films Abstract   PDF
Linda Hutcheson
 
Vol 4, No 1 (2011): Identity and Self-Identification Cultural centrality and dominance: the creative writer's view - conversations between Scottish poet/playrights and Ian Brown Abstract   PDF
Ian Brown
 
Vol 5, No 2 (2012): Alternative Identities David Lyndsay and George Buchanan: contrasts in reforming theatre Abstract   PDF
Sarah Carpenter
 
Vol 4, No 1 (2011): Identity and Self-Identification David Martin-Jones, Scotland: Global Cinema, Genres Modes and Identities Details   PDF
Richard Butt
 
Vol 6, No 1 (2013): Telling Stories: Fifty Years of New Playwriting in Scotland Documentary, 'makey-up' storytelling and new modes of writing for the Scottish stage Abstract   PDF
Tom Maguire
 
Vol 4, No 1 (2011): Identity and Self-Identification Editorial Abstract   PDF
Ian Brown, Ksenija Horvat
 
Vol 4, No 2 (2011): Networks of Influence Editorial Abstract   PDF
Brown Ian, Ksenija Horvat
 
Vol 5, No 2 (2012): Alternative Identities Editorial Abstract   PDF
Ian Brown, Ksenija Horvat
 
Vol 7, No 2 (2014): Diverse Strands Editorial Abstract   PDF
Ian Brown, Ksenija Horvat
 
Vol 4, No 1 (2011): Identity and Self-Identification Ewan MacColl, “the brilliant young Scots dramatist”: Regional myth-making and Theatre Workshop Abstract   PDF
Claire Warden
 
Vol 6, No 1 (2013): Telling Stories: Fifty Years of New Playwriting in Scotland Giving Voice to the Global Citizen in The Speculator by David Greig Abstract   PDF
Pamela McQueen
 
Vol 7, No 2 (2014): Diverse Strands Irvine Welsh and the Adaptation Industry: Filth, a case study Abstract   PDF
Robert Munro
 
Vol 7, No 2 (2014): Diverse Strands Jack, R.D.S. Myths and the Mythmaker: A Literary Account of J.M. Barrie’s Formative Years; Muñoz Corcuera, Alfonso & Elis T. Di Biase (ed) Barrie, Hook and Peter Pan: Studies in Contemporary Myth; Bold, Valentina & Andrew Nash (ed) Gateway to the Modern: Abstract   PDF
David M. Clark
 
Vol 7, No 2 (2014): Diverse Strands Jonathan Murray, Discomfort and Joy: The Cinema of Bill Forsyth. Oxford: Peter Lang, 2011, 260 pp. Abstract   PDF
Brian Hoyle
 
Vol 6, No 1 (2013): Telling Stories: Fifty Years of New Playwriting in Scotland Last Girl Standing: on Zinnie Harris's War Plays Abstract   PDF
Julia Boll
 
Vol 4, No 1 (2011): Identity and Self-Identification Linguistic motivation, dramatic language and Glasgow-inflected Scots in Edwin Morgan's version of Cyrano de Bergerac (1992) Abstract   PDF
Bill Findlay
 
Vol 7, No 1 (2014): New Developments in Scottish Cinema New Developments in Scottish Cinema: Introduction Abstract   PDF
Simon Brown
 
Vol 6, No 1 (2013): Telling Stories: Fifty Years of New Playwriting in Scotland No Wrang – Jist Different: Some resemblances between Scottish Drama of the 1970s and the Australian New Wave Abstract   PDF
Steve Cramer
 
Vol 4, No 2 (2011): Networks of Influence On the Art of ‘Making Movies Happen’: An Interview with Andrea Calderwood Abstract   PDF
Christopher Meir
 
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