Inside the community, alongside clinical practice: Community music therapy as social infrastructure

Authors

DOI:

https://doi.org/10.56883/aijmt.2026.704

Abstract

Welcome to this special issue of Approaches, inspired by the International Music Therapy Conference Resonances: Sounding Communities for Better Living, held in Verona, Italy on 3–4 October 2025. The initiative was organised by the “E. F. Dall’Abaco” Conservatory of Verona in partnership with the University of Verona, the University and Conservatory of Foggia, the University of Bolzano, the University of Molise, and the European University of Rome, and was funded by the Italian Ministry of University and Research (MUR) through the PRO-BEN project (Progetto per la promozione del benessere psicofisico e la prevenzione delle dipendenze patologiche della popolazione studentesca/Project for the Promotion of Students' Physical and Psychological Well-being and the Prevention of Pathological Addictions) of the Ministry of University and Research (2025). The conference aimed to explore and promote Community Music Therapy through the voices of some leading scholars and practitioners advancing this practice and its epistemological framework. The contributions included in this special issue examine the role of music and of the music therapist as a driving force for social change and collective health. At the centre of the discussion lies the concept of “resonance,” understood as a fundamental mode of relationship between the individual and the world, and as a possible antidote to the alienation often produced by contemporary life. From prisons to nursing homes, and through to university settings, the contributions presented here offer a vision of music therapy as a form of “social technology” essential for counteracting isolation and promoting multidimensional well-being. The articles invite an interdisciplinary dialogue between music therapy, sociology, and health psychology, reaffirming music as a vital infrastructure for the care of the human being within its social context.

Author Biographies

  • Enrico Ceccato, San Bartolo Hospital, Italy; University of Verona, Italy

    Enrico Ceccato, PsyD, MT, is a Lead Clinical Psychologist and Music Therapist at the Department of Mental Health of AULSS 8 Berica in Vicenza. He is currently pursuing a PhD at the Department of Neuroscience, Biomedicine and Movement at the University of Verona. He collaborates extensively with national and international scientific networks, contributing to strategic research initiatives and holds teaching Music Therapy at several Italian conservatories. He serves on the editorial boards of Approaches: An Interdisciplinary Journal of Music Therapy and Musica et Terapia. He is a member of the Board of Directors of the Italian Association of Music Therapy Professionals (AIM) and previously served as its Vice President.

    https://orcid.org/0000-0002-2902-9793

    enrico.ceccato@univr.it

  • Paolo Alberto Caneva, Conservatory of Verona, Italy

    Paolo Alberto Caneva is an Italian music therapist, lecturer, and author. He holds the Chair of Music Therapy Theory and Techniques at the “E. F. Dall’Abaco” Conservatory in Verona and is involved in teaching and research in the field of music therapy, with a particular focus on Community Music Therapy, songwriting, and Neurologic Music Therapy. He has over thirty years of experience in the field and is engaged in the training of students and professionals, as well as being the author of both academic and popular texts on music therapy, including works on songwriting and community music therapy. He is also active as a science communicator through podcasts and editorial projects aimed at promoting music therapy in Italy.

    https://orcid.org/0000-0001-6309-7899

    paolo.caneva@conservatorioverona.it

Downloads

Published

2026-09-14