Including siblings in music therapy - a scoping review

Authors

DOI:

https://doi.org/10.56883/aijmt.2025.572

Keywords:

Music Therapy, Siblings, Brother, Sister, Family

Abstract

This scoping review examines current research and clinical practice concerning sibling inclusion in music therapy, exploring how sibling participation is described, in what settings, and with what objectives. Sibling relationships are integral to psychosocial development during childhood and adolescence, yet their involvement in music therapy remains underexamined compared to parent-child dynamics. This review included music therapeutic models, programmes, or interventions documented in literature that incorporate siblings of minor age in music therapy sessions or processes, excluding records focused exclusively on parent-child dynamics. A comprehensive search of electronic databases (Scopus, MEDLINE/Pubmed, PsycArticles, Web of Science, Embase, ProQuest) and three journals (Journal of Music Therapy, Nordic Journal of Music Therapy, British Journal of Music Therapy) was conducted in 2024. Keywords included “Sibling”, “Brother”, “Sister”, “Family” and “Music Therapy”. Twenty-eight records met the inclusion criteria. Sibling inclusion was most prevalent in medical and palliative care settings, aiming to foster sibling relationships, enhance family cohesion, and promote coping. Intervention strategies included songwriting, improvisation, structured group activities, and legacy projects. Sessions varied in frequency and duration, with settings ranging from family homes to hospitals. While qualitative insights were rich, quantitative evidence was limited. Findings highlighted music therapy’s potential to strengthen sibling relationships, reduce rivalry, facilitate coping and emotional expression and enhance family cohesion. However, sibling inclusion often occurred incidentally. Four gaps were identified: (i) family-centred versus sibling-specific approaches; (ii) research–practice disparity; (iii) contextual influences; (iv) shifting perspectives. Addressing these gaps requires prioritising siblings as active agents and developing intentional, structured approaches, supported by research.

 

Author Biographies

  • Leen Adam, KU Leuven, Belgium LUCA School of Arts, Belgium

    Drs. Leen Adam graduated with high distinction in Music Therapy from Leuven, Belgium, in 2019. She is currently pursuing her doctoral research in Music Therapy at KU Leuven and LUCA School of Arts. As a music therapist, she works with children and adults with intellectual and physical disabilities and their families. In addition, she teaches music to people with disabilities in arts education settings. [leen_adam@hotmail.com]

  • Jos De Backer, KU Leuven, Belgium LUCA School of Arts, Belgium

    Em. prof. Dr. Jos De Backer is a professor at the medical faculty of KU Leuven, Department of Neuroscience, and coordinator and professor at the bachelor's/master's program in music therapy at LUCA School of Arts. He was head of the music therapy department at the University Psychiatric Centre KU Leuven for more than 30 years. He served as president of the European Music Therapy Confederation for 9 years. [Jos.debacker@kuleuven.be]

  • Katrien Foubert, KU Leuven, Belgium LUCA School of Arts, Belgium

    Prof. Dr Katrien Foubert is a professor at the Faculty of Medicine, KU Leuven,  and the bachelor's/master's program in music therapy at LUCA School of Arts. She is head of research at the Department of Music & Drama, KU Leuven. As a music therapist, she works with patients with personality disorders and autism spectrum disorders. Her work is widely cited, and she is a well-known guest lecturer across Europe. [Katrien.foubert@kuleuven.be]

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Published

2025-12-18

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Section

Articles