How much glass can I break before they fire me? Negotiating ethically-constructive education in a fractured political landscape

Authors

  • Mya Scarlato Berklee College of Music, USA
  • Katie Kelly University of Bridgeport, USA

DOI:

https://doi.org/10.56883/aijmt.2025.613

Keywords:

identity, collective identities, ethically-constructive education, morality, freedom, disruption, music, art

Abstract

Amid the myriad of political disagreements that arise among collective identity groups vying for space within the educational curriculum, we offer in this article a theoretical framework through which we argue that schools are uniquely positioned to serve as spaces in which students can negotiate the ethical and moral selves of their choosing. Drawing upon the work from educational philosopher Maxine Greene (1988) and ethics philosopher Kwame Anthony Appiah (2005), we suggest that 1) the development or ‘becoming’ of one’s identity is an ethical endeavour, 2) negotiating identity space in both education and society at large is a moral endeavour, 3) acting upon both the ethical and moral dimensions of identity construction requires that individuals hold a form of socially-contextualised personal freedom, and 4) that practices and policies in education which privilege or marginalise individuals with particular identities ought to be questioned and potentially disrupted. Throughout our articulation of this central argument, we weave in contextualised examples from scholarly literature, recent current events in U.S. news and politics, and autoethnographic reflections. To tailor these ideas more specifically for the music education-focused reader, we draw upon a variety of sources from international music education journals that emphasise settings in which students are prompted to explore and construct aspects of their identities through music.

Author Biographies

  • Mya Scarlato, Berklee College of Music, USA

    Dr. Mya Scarlato (she/they) is Associate Professor of Music Education at Berklee College of Music, where she teaches undergraduate and graduate courses on multicultural musics, popular musics, and general music education. Scarlato’s scholarly work explores the interconnectedness of philosophy, politics, and identity, and narrativity in music education contexts. [mscarlato@berklee.edu]

  • Katie Kelly, University of Bridgeport, USA

    Katie Kelly (they/them) is a professional educator, performer, writer, and actor from Connecticut, USA and holds a Masters of Science in Music Education from the University of Bridgeport. Kelly’s professional engagements are focused around gender identity and expression, vocal music, and equity within the American public school system. [katie.amanda.kelly@gmail.com]

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Published

2025-06-18