Music therapy newly defined

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DOI:

https://doi.org/10.56883/aijmt.2025.631

Keywords:

definition, music therapy, intervention, methods

Abstract

The definition of a therapeutic discipline provides an important demarcation and offers guidance for patients, interested parties, and professional actors in health care. The definition of music therapy serves to portray the therapeutic profession both to music therapists and to others within the public health care system. Thus, it contributes decisively to the profession’s political profiling. A definition of music therapy must incorporate a wide range of approaches and methodologies. It must be valid for the fields of psychotherapy and remedial/special education, as well as more physiological forms of therapy such as neonatology and neuro-rehabilitation. In this article, different definitions are presented and critically questioned. This was carried out by using the grammatical and semantic units for defining music therapy that were introduced by Bruscia. Against the background of new developments within music therapy, the necessity for a new definition is shown. A new definition of music therapy is presented, and its conceptual components are explained.

Author Biographies

  • Stefan Mainka, Parkinsonklinik Beelitz-Heilstätten, Germany University of Arts Berlin, Germany

    Stefan Mainka, Prof. Dr., NR-MT, is a Professor of Music Therapy and has been working as a music therapist in the field of neurological rehabilitation for over 20 years. His work and research focuses on sensor-based music feedback, therapeutic singing, music-supported movement training, and working with people with Parkinson's disease and stroke. He has been involved in professional music therapy policy for many years. [s.mainka@udk-berlin.de]

  • Eckhard Weymann, Hamburg University of Music and Theatre, Germany

    Eckhard Weymann, Prof. Dr., NR-MT, is an Emeritus Professor of Music Therapy. He is a music therapist, music teacher, and supervisor. He was co-head of the Department of Music Therapy at Hamburg University of Music and Theatre from 2013-2020. His research and publications are mainly focussed on musical improvisation, healing soundscapes, and professional ethics. He is a co-editor of “Lexikon Musiktherapie” and a founding member of the ethics committee of the German Music Therapy Association (DMtG). [eckhard.weymann@hfmt-hamburg.de]

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Published

2025-10-15

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Articles